New PDF release: 3DTV Content Capture, Encoding and Transmission: Building

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By Daniel Minoli

ISBN-10: 0470649739

ISBN-13: 9780470649732

The First to offer 3D know-how as utilized to advertisement Programming for the shopper

this can be the 1st booklet to supply an summary of the applied sciences, criteria, and infrastructure required to help the rollout of business real-time three size Television/3 measurement Video (3DTV/3DV) providers. It studies the necessary criteria and applied sciences that experience emerged—or are only emerging—in help of such new providers, with a spotlight on encoding mechanisms codecs and the buildout of the delivery infrastructure.

whereas there's a lot of educational curiosity in a variety of intrinsic features of 3DTV, provider prone and shoppers eventually are likely to take a system-level view. 3DTV stakeholders have to give some thought to the final architectural system-level view of what it is going to take to set up an infrastructure that's in a position to reliably and cost-effectively convey a commercial-grade caliber package deal of a number of 3DTV content material channels to paying consumers with excessive expectancies. this article, as a result, takes this type of system-level view, revealing easy methods to truly install the expertise.

awarded in a self-contained, educational model, the ebook starts with a assessment of 3DTV on the market and the possibilities and demanding situations therein. fresh occasions on the topic of 3D also are mentioned. From there, the elemental visible techniques helping stereographic belief of 3DTV/3DV are defined, as are encoding ways. Readers will comprehend body getting to know and compression for traditional stereo video (CSV) and extra complicated tools reminiscent of video plus intensity (V+D), multi-view video plus intensity (MV+D), and layered intensity video (LDV).

subsequent, the weather of an end-to-end 3DTV approach are lined from a satellite tv for pc supply viewpoint, with causes of electronic video broadcasting (DVB) and DVB-handheld. Transmission applied sciences are assessed for terrestrial and IPTV-based structure; IPv6 is reviewed intimately. eventually, the booklet offers 3DTV/3DV standardization and comparable actions, that are serious to any kind of large deployment.

method planners, the published television undefined, satellite tv for pc operators, net provider prone, terrestrial telecommunication companies, content material builders, layout engineers, enterprise capitalists, and scholars and professors are between these stakeholders in those prone, and who will depend on this quantity to find the newest 3D advances, industry possibilities, and competing applied sciences.

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Extra resources for 3DTV Content Capture, Encoding and Transmission: Building the Transport Infrastructure for Commercial Services

Example text

2 3DV/3DTV STEREOSCOPIC PRINCIPLES We start this section with a few additional definitions. Stereo means “having depth, or being three-dimensional” and it describes an environment where two inputs combine to create one unified perception of three-dimensional space. Stereoscopic vision is the process where two eye views combine in the brain to create the visual perception of one 3D image; it is a by-product of good binocular vision. 5 Basic stereoscopic camera configurations: (a) “toed-in” approach, and (b) “parallel” setup.

That poor quality stereoscopic TV will‘poison the water’ for everyone. Stereoscopic content that is poorly realized in grammar or technology will create a reputation of eyestrain which cannot be shaken off. This has happened before in the 30s, the 50s, and the 80s in the cinema. ) That fragmentation of technical standards will split and confuse the market, and prevent stereoscopic television from ever being successful . . [17]. . people may quickly tire of the novelty. I think it will be a gimmick.

4). 4 Viewing a 3D image on a screen and the related accommodation– convergence conflict. 1 33 Depth/Binocular Cues The terms we just defined are now further applied. , relative size, linear perspective or motion parallax), are called monocular cues, whereas those that depend on both eyes are called binocular cues. Everyday scenes usually contain more than one type of depth cue and the importance of each cue is based on learning and experience. In addition to this, the influence of the different cues on human depth perception also depends on the relative distances between the observer and the objects in the scene [2].

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3DTV Content Capture, Encoding and Transmission: Building the Transport Infrastructure for Commercial Services by Daniel Minoli


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