American Remakes of British Television: Transformations and by PDF

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ISBN-10: 0739146742

ISBN-13: 9780739146743

Ever considering that Norman Lear remade the BBC sequence Till demise Us Do Part into All within the Family, American remakes of British tv indicates became a part of the yankee cultural cloth. certainly, a number of the courses presently stated to exemplify American tastes and attitudes, from truth courses like American Idol and What to not Wear to the mock-documentary strategy of The Office, are variations of profitable British exhibits.

Carlen Lavigne and Heather Marcovitch's American Remakes of British tv: variations and Mistranslations is a multidisciplinary number of essays that makes a speciality of questions raised while a overseas convey is customized for the yank industry.

• What does it suggest to remake a tv application?
• What does the method of "Americanization" entail?
• What may well the luck or failure of a remade sequence let us know concerning the alterations among American and British manufacturers and audiences?

This quantity examines British-to-American tv remakes from 1971 to the current.

The American remakes during this quantity don't percentage a typical style, layout, or perhaps point of serious or renowned acclaim. What those courses do have in universal, although, is the experience that anything within the unique has been considerably replaced to be able to make this system beautiful or obtainable to American audiences. The members reveal a large number of views of their essays. British-to-American tv remakes as a complete are defined by way of the marketplace forces and overseas alternate that make those productions financially fascinating. Sanford and Son is tested when it comes to race and sophistication concerns. Essays on Life on Mars and Doctor Who rigidity television's function in shaping collective cultural stories. An essay on Queer as Folk explores the romance style and likewise talks approximately changes in nationwide sexual politics. An exam of The Office discusses how the yank remake really endorses the paperwork that the British unique satirizes; then again, one other technique breaks down The Office's bumbling boss figures when it comes to modern mental idea. An essay on What to not Wear discusses how a fact express approximately daily style conceals the development of a terrific nationwide topic; a moment essay explains the exhibit when it comes to every one country's discourses surrounding femininity.

The luck of yankee Idol is defined by means of examining the function of beginner tune in American tradition. the difficulty of translation itself is interrogated via interpreting particular episodes of Cracker, and in addition through asking why a winning sequence within the U.K., Blackpool, used to be a depressing failure as an American remake. This assortment offers a wealthy and multifaceted evaluation of methods to foreign tv reviews.

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Extra info for American Remakes of British Television: Transformations and Mistranslations

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London: British Film Institute, 2004. Straubhaar, Joseph D. ” In Media in Global Context, edited by Annabelle Sreberny-Mohammadi, Dwayne Winseck, Jim McKenna, and Oliver Boyd-Barrett. London: Arnold, 1997. Tambini, Damian. K. ” Research Paper, Institute for Public Policy Research (IPPR), January 2000. Television Research Partnership. Rights of Passage 2007. London: PACT, 2008. pdf. Torrance, Caroline (Head of International Drama, Granada International). Interview, London, 30 October 2001. Tunstall, Jeremy.

62. ” 63. DCMS (Department of Culture, Media and Sport), Building a Global Audience: British Television in Overseas Markets—A Report by David Graham and Associates (London: DCMS, 1999), 24. 64. K. Television Exports (London: DCMS, 1999). 65. DTI/DCMS, A New Future for Communications, Cm 5010 (London: DCMS/DTI, 2000), 10. 66. Oliver and Ohlbaum, Prospects; Steemers, Selling Television, 71–72. 67. FRAPA, The Frapa Report 2009, 102. 68. Ofcom, Communications Market Report. Research Document (London: Ofcom, 2009), 69.

Interview, Boston, 11 September 2002. 26. Miller, Something Completely Different, 178; Caroline Torrance (Head of International Drama, Granada International), Interview, London, 30 October 2001. 27. Richard Collins, Nicholas Garnham, and Gareth Locksley, The Economics of Television (London: Sage, 1988), 72. 28. Cynthia Chris, “All Documentary, All the Time? Discovery Communications Inc. and Trends in Cable Television,” Television and New Media 3, no. 1, (February 2002), 7–28; Steemers, Selling Television, 123.

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American Remakes of British Television: Transformations and Mistranslations

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